OLAC Record oai:paradisec.org.au:KK1-2295

Metadata
Title:		Rap ra ai tara (The orphan) with English translation
Access Rights:		Open (subject to agreeing to PDSC access conditions)
Bibliographic Citation:		Keita Kurabe (collector), Keita Kurabe (depositor), Gareng Laga Kung Hpan (speaker), 2019. Rap ra ai tara (The orphan) with English translation. EAF+XML/MPEG/WAV. KK1-2295 at catalog.paradisec.org.au. https://dx.doi.org/10.26278/5fa177c07be6c
Contributor (compiler):		Keita Kurabe
Contributor (depositor):		Keita Kurabe
Contributor (speaker):		Gareng Laga Kung Hpan
Coverage (Box):		northlimit=27.331; southlimit=23.137; westlimit=95.335; eastlimit=98.498
Coverage (ISO3166):		MM
Date (W3CDTF):		2019-01-28
Date Created (W3CDTF):		2019-01-28
Description:		Translation (Rita Seng Mai) There is a Jinghpaw story about law and justice. Once upon a time, there was a family with many sons in a village. The villagers wanted to help them because they were a group of brothers and were rich. There was an orphan boy who lost both of his parents in that village. He lived with his grandmother. In the past, the Jinghpaw people planted a kind of banyan tree called Gitgu when they celebrated the Manau festival or when they built a village. Different species of birds flying in the sky and animals from the ground came to that tree to eat its fruit. Then they set the snares there. The group of brothers set the snares around the tree. The orphan boy saw animals coming to the tree and said to his grandmother, "I want to set traps there." She said to him, "My grandson, don't do it. If anything happens to us, we have no one to help us. We can work day by day to survive. Don't catch any animals there." He insisted, "Grandma, I will go there." She couldn't stop him, so she said, "Fine. But don't set traps near where someone else is setting them." Then the boy went there and looked for a place where he could set his snare, but he couldn't find a single place because the brothers were setting snares everywhere. Then he did his best to find a spot to set his trap. (Let's cut to the point. Can we? Let's just not use it.) Transcription (La Ring) Dai.. ya na rap ra ai tara ngu ga le dai upade shi a.. e hte e seng ai Jinghpaw maumwi nga ai. Ndai maumwi gaw, moi.. shawng de da mare langai mi kaw la law ma htinggaw mi nga ai da. Dai she la law ma htinggaw shanhte gaw la law ai majaw hpa amu mi byin tim masha ni karum ningtum na mung shanhte chyu, masha hpe e karum ningtum mung shanhte lu ma ai da. Dai mare kaw nan jahkrai ma ngu ai kanu mung si kawa mung si re ai jahkrai ma e kawoi Dwi hte e nga kaba ai shabrang kasha langai mi mung nga ai da. Nga... re ten hta e lani mi na nhtoi hta gaw shanhte Htinggu hpun moi anhte Jinghpaw Wunpawng sha ni gaw mare dingsa kaw e shing nrai manau dum yang shing nrai poi lamang lama ma galaw yang, e shara htuk ai hkan tinang a Htingu ngu ai Htinggu hpun kaba ba law ai Htinggu hpun hkai ma ai da. Hkai.. rai yang gaw dai kaw gaw e.. nam nga dusat dumyeng ntsa malen pyen ai, ga e hkawm ai jahkyi shan nga, uri ugam, ntsa malen pyen ai usu ugaw, chyangngau hkum hkra sha ai... da. Dai she dai hta e shanhte shan hkam ma ai da. La law ma ni shawng sha nna ndai makau mayang e mahkam hkam da ma ai.. da. Mahkam hkam da rai yang gaw hpang gau ngwi she kawoi Dwi kashu ma jahkrai ma gaw ndai namsi sha ai shara de shi mung du.. re majaw "woi Dwi e.. ngai mahkam hkam na" ngu tsun yang woi Dwi gaw "E.. ngai shu e.. hkum hkam u ya nang amyu myu byin yang an kawoi Dwi sha gaw an hpe e karum ningtum na masha nnga ai, dai majaw e hkum hkam u, Dwi hte hpami rai rai daini lu daini sha rai na nga ga" ngu ai da. Rai she.. "E.. Dwi e sa na re.." nga nna ahkaw ahkang kaba hpyi let e.. "E.. ngai shu e sa na nga yang atsawm.. rai u yaw, masha ni hkam ai shara kaw hkum hkam, hkum shut" ngu nna kawoi Dwi e htet dat ma ai da. Htet dat rai yang gaw ma dai gaw dai Htinggu hpun nga ai shara de sa du rai nna mahkam hkam na shara tam yu tim nmu ai. La law ma ni shanhte gaw hkaraw, layang hpun makau hkan yawng.. hkam ma ai da. Dai majaw jahkrai ma gaw shi a atsam marai dat rai let e htaw... e (Loi hpyet kau ga i, hpyet mai na kun?) rai yang gaw.. e dai kaw loi mi (Ndai hpyet kau u lo ndai nmai sai). . Language as given: Jinghpaw
Format:		Digitised: no Media: Audio
Identifier:		KK1-2295
Identifier (URI):		http://catalog.paradisec.org.au/repository/KK1/2295
Language:		Kachin
Language (ISO639):		kac
Publisher:		Pacific and Regional Archive for Digital Sources in Endangered Cultures (PARADISEC)
Rights:		Open (subject to agreeing to PDSC access conditions)
Subject:		Kachin language
Subject (ISO639):		kac
Subject (OLAC):		language_documentation
		text_and_corpus_linguistics
Table Of Contents (URI):		http://catalog.paradisec.org.au/repository/KK1/2295/KK1-2295-A.eaf
		http://catalog.paradisec.org.au/repository/KK1/2295/KK1-2295-A.mp3
		http://catalog.paradisec.org.au/repository/KK1/2295/KK1-2295-A.wav
Type (DCMI):		Sound
Type (OLAC):		primary_text
OLAC Info
Archive:		Pacific And Regional Archive for Digital Sources in Endangered Cultures (PARADISEC)
Description:		http://www.language-archives.org/archive/paradisec.org.au
GetRecord:		OAI-PMH request for OLAC format
GetRecord:		Pre-generated XML file
OAI Info
OaiIdentifier:		oai:paradisec.org.au:KK1-2295
DateStamp:		2026-04-22
GetRecord:		OAI-PMH request for simple DC format
Search Info
Citation:		Keita Kurabe (compiler); Keita Kurabe (depositor); Gareng Laga Kung Hpan (speaker). 2019. Pacific and Regional Archive for Digital Sources in Endangered Cultures (PARADISEC).
Terms:		area_Asia country_MM dcmi_Sound iso639_kac olac_language_documentation olac_primary_text olac_text_and_corpus_linguistics
Inferred Metadata
Country:		Myanmar
Area:		Asia